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    <loc>https://www.bethwardwriting.com/about</loc>
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      <image:title>about - Beth Ward is an award-winning cultural critic, essayist, and editor whose work explores topics that live at the intersection of feminism and pop culture, including girlhood studies, the monstrous feminine in film and media, the cultural functions of eroticism and desire, and notions of abjection in art and culture.</image:title>
      <image:caption>Beth’s work appears widely in publications including American Poetry Review, Oxford American, Southern Review of Books, The Southeast Review, Iron Horse Literary Review, Pleiades: Literature in Context, Hyperallergic, The Rumpus, Bitter Southerner, Cunning Folk, BUST Magazine, and elsewhere. Her essays have been nominated for Pushcart Prizes and recognized by the Association of Writers and Writing Programs. Beth holds an MFA in narrative nonfiction from the University of Georgia. Previously the books &amp; film editor for ArtsATL, she currently serves as reviews &amp; interviews editor for Pleiades. You can also read her newsletter, No Light Thing, on Substack.</image:caption>
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      <image:title>selected writing - in conversation</image:title>
      <image:caption>I Become More Animal When I'm Grieving: A Conversation with Jenny Sadre-Orafai (The Rumpus)</image:caption>
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      <image:title>selected writing - in conversation</image:title>
      <image:caption>Interestingness is Always There: Talking with Jenny Odell (The Rumpus)</image:caption>
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      <image:caption>Writing Hurricanes and Conjuring Ghosts: A Conversation with J. Nicole Jones (The Rumpus)</image:caption>
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      <image:caption>The Art of Laura Shull, in Conversation with the Artist (Lover's Eye Press)</image:caption>
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      <image:caption>Poet L.S. McKee explores tensions of love in an era of AI and technology</image:caption>
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      <image:caption>Caroline Crew’s essays explore women and violence in “Other Girls To Burn” (Atlanta Journal-Constitution)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>It Was the Future Brewing: On Nancy Lemann's The Oyster Diaries (Southern Review of Books)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>“The Dark and the Devil So Close”: Kristi DeMeester’s Historical Feminist Horror, Dark Sisters (Southern Review of Books)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>Artist Blair Hobbs celebrates Flannery O’Connor’s centennial with a new show at Spalding Nix Fine Art (Atlanta Magazine)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>The Threads of Time and Place (Oxford American)</image:caption>
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      <image:caption>Choking Toward Life: Beth Ward on Didi Jackson's My Infinity (Pleiades: Literature in Context)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>Thoughts About the Work: A Critical Essay for Phyllis Alterman Franco: The Collected Works (Poem 88 EDITIONS, 2024, print)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>Underexposed: Women Photographers from the Collection at the High Museum of Art (Burnaway)</image:caption>
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      <image:caption>What We're Reading: Reviewing Prairie, Dresses, Art, Other (Cunning Folk)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>What We're Reading: Reviewing This Ragged Grace by Octavia Bright (Cunning Folk)</image:caption>
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      <image:title>selected writing - books &amp; art</image:title>
      <image:caption>The Real Blanche DuBois (The Bitter Southerner)</image:caption>
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    <loc>https://www.bethwardwriting.com/writing/folklore</loc>
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    <lastmod>2026-05-07</lastmod>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>On Ithell Colquhoun: In Conversation with Dr. Amy Hale (Cunning Folk, Sound &amp; Vision issue, print)</image:caption>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>Matriarch of Darkness (Suspira Magazine, Fetish Issue, print)</image:caption>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>Sea-born: Women in Magic and Myth (Cunning Folk, Water issue, print)</image:caption>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>The Long Tradition of Folk Healing Among Southern Appalachian Women (Atlas Obscura)</image:caption>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>Home Fires: Hearth Goddesses, Vestal Virgins, and Belonging to Oneself (Cunning Folk, Fire Issue, print)</image:caption>
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      <image:title>selected writing - folklore &amp; esoterica</image:title>
      <image:caption>Bite Me (Suspira Magazine, Vampire Issue, print)</image:caption>
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    <loc>https://www.bethwardwriting.com/writing/creativenonfiction</loc>
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    <lastmod>2026-09-01</lastmod>
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      <image:caption>Holy Appetites (Southeast Review)</image:caption>
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      <image:title>selected writing - creative nonfiction</image:title>
      <image:caption>Knockout (Iron Horse Literary Review, print)</image:caption>
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    <loc>https://www.bethwardwriting.com/writing/otherstories</loc>
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    <lastmod>2026-05-07</lastmod>
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      <image:title>selected writing - miscellany</image:title>
      <image:caption>At Georgia’s Arrendale State Prison, Women Inmates Forge a Bond by Keeping Bees (Atlanta Magazine)</image:caption>
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      <image:caption>From the Soil Up (Bitter Southerner)</image:caption>
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